About

I began my ceramics journey at Gettysburg College where I learned under Tina Gebhart. During my time there, if I wasn’t studying philosophy in the library or somewhere partying with my friends, you could reliably find me in the pottery studio honing my style. Drawing from the influence of my teacher, Tina, I make wheel-thrown functional ware, although I have increasingly been drawn to make ornamental vessels. What often distinguishes my pots from others are the intricate carving and sgraffito techniques I use to create unique patterns on their surfaces. These patterns are conceptually inspired by French philosopher Gilles Deleuze, whose notions of Chaos and Repetition are incorporated into the abstract parameters I set for myself when designing my pots. Glazing is an essential aspect of this, as I specifically select ones that flow into the crevices and break over the ridges of my carving to create contrast through color and texture. I also include elements of the nature in my work, weather that be sgraffito mountains and trout, carved topographical maps, or patterns derived from termites. These components of my style make for an almost psychedelic visual and textural experience. I am now a member at the Whidbey Clay Center in my home town of Freeland, Washington.